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Basics of Video Sound, Second Edition
by Des Lyver
Assuming little prior knowledge, this book
covers everything from how to choose a microphone and obtain the best quality recordings
to editing the results for the final screening. It features the latest advances in
the use of disc and Mini Disc systems and computer-based editing in audio post-production,
and information on both studio and location recording. (1999). Softcover. $32.95.
Basics of Video Lighting, Second Edition
by Des Lyver & Graham Swainson
Covers everything from the different types
of lights and their control, to basic studio and location settings. Provides information
on the latest technology, including the use of location and grip gear and changes
in lamp and reflector technology. Individual chapters cover types of luminaire, the
lighting grid, single- to three-point lighting, studio and location lighting, and
more. (1999). Softcover. $32.95.
Basics of Video Production, Second Edition
by Des Lyver & Graham Swainson
A primer for anyone wishing to learn about
video production -- it describes the principles and processes involved in obtaining
professional results in educational, training and corporate environments. The book
features the latest advances in low cost non-linear editing and digital video, coverage
of studio and location work, a full explanation of technical terms, and practical
advice on the equipment available and how to use it. (1999). Softcover. $32.95.
Cinematography, Second Edition
by Kris Malkiewicz
Clearly and concisely covers what today's
filmmaker needs to know about camera structure and operation, lenses, film stocks,
filters, lighting and light measuring, and accessory equipment. In addition it provides
up-to-date information on sound recording, editing, video transfer, studio and location
shooting, production logistics, and modern techniques of picture manipulation with
optical printers. Includes more than 350 illustrations and drawings. (1989). Softcover.
$34.00.
The Five C's of Cinematography:
Motion Picture Filming Techniques
by Joseph V. Mascelli
A classic. Branching out from five central
subject areas -- Camera Angles, Continuity, Cutting, Close-ups and Composition --
the author offers filmmakers a detailed and practical course in visual thinking.
Included are discussions of cinematic time and space, compositional rules, point-of-view,
camera height and angle, master scenes, types of editing, screen direction and much
more. (1965). Softcover. $46.50.
Animation 101
by Ernest Pintoff
The author's intention in this book is to
present an overview of animation past and present from an insider's point of view,
featuring a variety of voices and perspectives. The book covers the birth of American
animation by discussing some of the major animation studios and seminal figures of
the 20th century from Disney to Bakshi. The book is filled with insights from such
artists as Stan Lee, Noel Blanc and Bill Hanna. (1998). Softcover. $24.95.
Directing 101
by Ernest Pintoff
This unique book takes a broad look at the
process of directing and encourages students and professionals alike to look outside
of the movie industry for inspiration. The book itself is based on the author's teachings
at USC and UCLA film schools, and includes chapters on every part of the directing
process, from acquiring material and budgeting to filming techniques and pitching.
(1999). Softcover. $24.95.
The Film Director's Team: A Practical
Guide for Production Managers, Assistant Directors, and All Filmmakers
by Alain Silver & Elizabeth Ward
A must-read guide for all who contemplate
working as production managers or assistant directors, as well as for students of
film directing and film production. It's wealth of information includes detailed,
practical discussions of cost reporting, script breakdown, production boards, scheduling,
production reports and much more. (1992). Softcover. $29.50.
The Animator's Workbook:
Step-by-Step Techniques of Drawn Animation
by Tony White
Offers a complete course on the principles
and techniques of drawn animation. White covers every aspect of the process, providing
technical information on how to capture movement, expression and emotion. He shows
how to convincingly animate birds and animals and explores special effects -- wind,
water, fire, and solid objects -- that can add realism, drama, and atmosphere to
animation. (1988). Softcover. $29.95.
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