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Don Owen: Notes on a Filmmaker and his Culture
Steve Gravestock
Don Owen occupies a central place in the development of English-Canadian cinema
almost entirely on the basis of his debut feature, Nobody Waved Goodbye (1964).
Although this film would go on to pave the way for the Canadian feature film
industry, as well as to gain international accolades, Owen remains curiously
under-examined in film studies. This monograph, published to coincide with a
major retrospective of Owen's work, fills this gap in cinema scholarship by offering
a sparkling overview of Owen's complete filmography. Softcover, 152 pp. $14.95.
Alan J. Pakula: His Films and His Life
Jared Brown
From his early work as a producer for several Broadway stage productions to his
early years in Hollywood and his eventual rise to the peak of his profession,
Alan J. Pakula's career is meticulously chronicled in this thorough critical
biography. Hardcover, 416 pp. $39.95.
Will Write and Direct For Food
Alan Parker
In this book, Alan Parker, the scourge of pretension, director and screenwriter takes on the filmmaking industry through his witty cartoons. No one gets away: Hollywood, the British Film Industry, critics, actors, directors, writers, audiences and financiers can all be seen pinned and wriggling on his wickedly sharp nib. Softcover, 222 pp. $24.95.
In Danger: A Pasolini Reader
Jack Hirschman
This is the first anthology in English devoted to Pasolini's political and literary essays, including a generous selection of his poetry, as well as his final interview, amazingly conducted just hours before he was murdered in 1975. In writings that span three decades, Pasolini offers commentaries on Italian politics, as well as European and American literary figures. For those interested in his films, this book offers much insight into his unique brand of cinema. Softcover, 242 pp. $20.50.
P.P.P. - Pasolini and Death
Bernhart Schwenk & Michael Semff
Published in commemoration of the thirtieth anniversary of Pasolini's death,
this book provides insight into his moral concepts and ideals through his essays,
films, drawings, and paintings. Among the book's many explorations is that, inherent
in Pasolini's understanding of art and his world view, was the notion of violent
death, which, ultimately he may have consciously sought out in order to reconcile
his life and work. This book is beautifully illustrated in colour and black & white.
Hardcover, 208 pp. $54.00.
Sam Peckinpah: Interviews
Kevin J. Hayes
Sam Peckinpah: Interviews features the combustible director discussing his best-known films, including the gory western The Wild Bunch, the unsettling and controversial Straw Dogs, and the crime thriller The Getaway. In these conversations, Peckinpah's candor -- about himself, filmmaking, studios, male/female relations, violence, and contemporary politics -- provides a thoughtful portrait of a polarizing filmmaker. Softcover, 179 pp. $27.95.
Bloody Sam: The Life and Films of Sam Peckinpah
Marshall Fine
At once lauded and vilified, Sam Peckinpah remains a director of much influence
due to his unique brand of stylized, naturalistic violence in such classic films
as The Wild Bunch, Straw Dogs, The
Getaway, and Convoy. In Bloody Sam Marshall Fine takes
an in-depth look at legendary film director's tumultuous life, both on and off
the set. Softcover, 426 pp. $22.95.
"If They Move...Kill 'Em!"
David Weddle
The first major biography of Sam Peckinpah, this fascinating account does critical
justice to an important body of cinema as it spins a tale of Peckinpah's dramatic,
overcharged life and the turbulent times in which he moved. Illustrated. Hardcover,
$45.00; Paperback, $27.95.
Arthur Penn: American Director
Nat Segaloff
A winning portrait of the astoundingly prolific and gifted director of The Miracle Worker, Golden Boy, Bonnie and Clyde, Little Big Man, and countless other masterpieces of film, theatre and television. Hardcover, 310 pp. $49.95.
Arthur Penn Interviews
Michael Chaiken & Paul Cronin
This is the first collection to explore every stage of Arthur Penn's career. These conversations span forty-four years, from his first in-depth discussion with Cahiers du Cinema in 1963 to a new interview from 2007, and reveal Penn's ever-changing ideas on the nature of film and filmmaking. This volume also presents newly translated interviews from European film periodicals, published in English for the first time. Softcover, 219 pp. $27.95.
Roman Polanski: The Cinema of a Cultural Traveller|
Ewa Mazierska
Covering all of Roman Polanski's films as director, Ewa Mazierska addresses the eclecticism, ambiguity and paradoxes of his cinema, while seeking out the common elements in his films. From a number of perspectives, she examines the autobiographical effect of Polanski's films in terms of violence, travel and voyeurism. Softcover, 230 pp. $31.95.
Polanski
Christopher Sandford
Others have told pieces of his story -- the personal tragedies and the professional triumphs -- but Christopher Sandford brings all the elements of famed filmmaker Roman Polanski's tumultuous life together into one gripping account. Drawing on dozens of interviews with actors, writers and other Polanski collaborators, this biography is a fascinating portrait of a flawed yet wildy creative master of the cinema. Softcover, 480 pp. $24.95.
Roman Polanski
James Morrison
James Morrison's Roman Polanski offers one of the most comprehensive and critically engaged treatments ever written on Polanski's work. Tracing the filmmaker's remarkably diverse career from its beginnings to the present, the book provides commentary on all his major films in their historical, cultural, social, and artistic contexts. By locating Polanski's work within the genres of comedy and melodrama, Morrison argues that this eclectic and controversial director is not merely obsessed with the theme of repression, but that his true interest is in the concrete - what is out in the open - and in why it is so rarely seen. Softcover, 191 pp. $25.50.
The
Cinema of Roman Polanski: Dark Spaces of the World
John Orr & Elzbieta Ostrowska
Roman Polanski is one of the great maverick figures of world cinema, with a long
career starting in Poland with his short films of the 1950s and running through
to the present with Oliver Twist. His personal life has been
controversial and often tragic. Yet notoriety of celebrity has made us overlook
the true importance of his films in cinema history. This collection is a critical
re-assessment of that role, long overdue. It high-lights the bold and dazzling
diversity of his work as well as recurrent themes and obsessions that have had
such a powerful impact upon audiences throughout the world. Softcover, 175 pp.
$32.99.
Roman Polanski
F.X. Feeney
Illustrated throughout, with colour and black & white photographs,
this beautiful book is a chronological survey of Roman Polanski's career
as a filmmaker. Softcover, 192 pp. $26.99.
The Cinema of Michael Powell
International Perspectives on an English Film-maker
Ian Christie & Andrew Moor
The films of Michael Powell and Emeric Pressburger are landmarks in British cinema,
standing apart from the realist and comic mainstream with their highly stylised
aesthetic and their themes of romantic longing and spiritual crisis. In this
first-ever collection of essays on Powell, an international group of scholars
explore his film-making landscape, providing new readings of individual films,
analysing recurrent techniques and themes, and relating these to contemporary
debates about gender, sexuality, nationality and cinematic spectacle. Powell,
with and without Pressburger, emerges as a film-maker of lasting originality
and significance. Softcover, 295 pp. $35.95.
The World and Its Double: The Life and Work of Otto Preminger
Chris Fujiwara
Otto Preminger was one of Hollywood's first truly independent producer-directors. He sought to address the major social, political, and historical questions of his time in films designed to appeal to a wide public. Chris Fujiwara's critical biography -- a detailed new look at the director's life and legacy --follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work. Hardcover, 480 pp. $38.50.
Otto Preminger: The Man Who Would be King
Foster Hirsch
The creator of some of the most enduring pictures in film history, "Otto the Terrible," as he was called, receives this first full-scale biography portraying a complex, paradoxical but wholly fascinating figure. Hirsch shows Preminger battling studio head Darryl F. Zanuck, defying the notorious Production Code, leading the industry in the employment of black actors in the '50's and breaking the Hollywood blacklist by crediting the screenplay of Exodus to Dalton Trumbo. The range of his work was remarkable as Foster shows us through this thoroughly researched and deftly written portrait. Hardcover. $44.00. Coming in November.
Vsevolod Pudovkin: Selected Essays
Richard Taylor
Since their initials printings in the 1930s, the seminal writings of Vsevolod
Pudovkin have been unavailable to the English-speaking reader. This volume of
new translations of his most important writings from 1926 to 1952 enable us to
trace the development of his ideas through his career. This book will fill an
important gap in the literature on Soviet cinema and will re-establish Pudovkin's
claim to a place in the canon. Softcover, 324 pp. $61.00.
The Unseen Force: The Films of Sam Raimi
John Kenneth Muir
In 1982, when he was 23, Sam Raimi burst onto the film scene with
the low -budget cult-classic The Evil Dead. Included in this volume
are thirty first-person accounts and interviews from a variety of eclectic
sources; from the cinematographers who shot Raimi's early flims to the
producers, screenwriters, actors, special effects magicians and composers
who collaborated to make his films the stuff of legend. Softcover, 342
pp. $27.95.
Nicholas Ray: The Glorious Failure of an American Director
Patrick McGilligan
An eye opening biography of the mastermind behind Rebel Without A Cause. Hardcover, 542 pp. $32.99.
The Films of Nicholas Ray
Geoff Andrew
Nicholas Ray -- director of In a Lonely Place, Johnny Guitar, They
Live By Night and, Rebel Without a Cause -- is one of the
most revered of all American maverick auteurs. This new edition of Geoff
Andrew's unique and acclaimed study of his films discusses Ray's stylistic
artistry and abiding thematic concerns. Softcover, 193 pp. $32.95.
Cinema, Emergence, and the Films of Satyajit Ray
Keya Ganguly
Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is often described in narrowly nationalistic terms and rarely as an influential modernist whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past. Softcover, 258 pp. $29.95.
Satyajit Ray: Interviews
Bert Cardullo
India's pre-eminent film director, Satyajit Ray (1921-1992) came to public attention in 1955 with Pather Pachali, the first installment of what became known as the Apu Trilogy. It was the motion picture that introduced Indian cinema to the West. Satyajit Ray: Interviews reveals a genial, generous, unpretentious, immensely knowledgeable man who, for all his fame, remained to the end amusedly indefferent to movie-world glamour. Softcover, 226 pp. $25.50.
My Anecdotal Life
A Memoir
Carl Reiner
In this funny and engaging memoir, one of the best raconteurs on the planet,
Carl Reiner, recalls his life in show business in short comic takes. Mary Tyler
Moore, Mel Brooks, Dick Van Dyke, Mickey Rooney, Johnny Carson, Ann Bancroft,
and dozens of other entertainment personalities populate this "literary
variety show" that captures the highs and lows of Reiner's prolific career.
Hardcover 236 pp. $36.95.
Jean Renoir: Interviews
Bert Cardillo
Like his cinematic oeuvre, Jean Renoir: Interviews spans several decades. As
a whole, the interviews, some in English for the first time, disclose a candid,
cultivated, and unselfish man, genuinely but also slyly self-critical, and at
all times a warm and pleasant conversationalist. These conversations show his
ideas evolving and ripening along with the movies he was making. Softcover, 217
pp. $28.95.
Leni Reifenstahl: A Life
Jurgen Trimborn
Dancer, actress, mountaineer, and director Leni Riefenstahl's uncomprising will and audacious talent for self-promotion appeared unmatched - until 1932, when she introduced herself to her future protector and patron: Adolf Hitler. Jurgen Trimborn's revelatory biography casts an unblinking eye on one of the more complicated figures of the twnetieth century. Softcover, 348 pp. $18.95.
Leni : The Life and Work of Leni Riefenstahl
Steven Bach
Leni Riefenstahl, the woman best know as "Hitler's filmmaker," is one of the most fascinating and controversial women of the twentieth century. In this masterful new biography, Steven Bach reveals the truths and lies behind this gifted woman's lifelong self-vindification as an apolitical artist who claimed she knew nothing of the Holocaust. What emerges is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity. Softcover, 386 pp. $20.00.
Leni Riefenstahl: The Seduction of Genius
Rainer Rother
Although Leni Riefenstahl is admired the world over as a master
filmmaker, her achievements have been clouded by the fact that she
operated within the context of Nazi Germany and was inextricably linked
with the Third Reich. This powerful translation of Rother Rainer's
acclaimed biography focuses on the tension between political agenda
and aesthetic beauty which pervades Riefenstahl's work. Hardcover,
262 pp. $49.50.
Martin Ritt: Interviews
Gabriel Miller
This collection of interviews provides a revealing self-portrait
of Martin Ritt (1914-1990), America's preeminent maker of social-conscience
films and one of the most sensitive film portraitists of the rural
South. Softcover, 213 pp. $29.95.
Smoking In Bed: Conversations With Bruce Robinson
edited by Alistair Owen
The director of the cult classic Withnail & I and award winning
writer of The Killing Fields reveals his thirty year addiction to turning
fact into fiction in this new collection of interviews. The fascinating result
is an explanation of how to get behind the camera and in front of the typewriter
and stay there. Hardcover, $29.95; softcover, $18.50.
George A. Romero: The Pocket Essential
Tom Fallows & Curtis Owen
Not simply a director of zombie films, George Romero reinvented the vampire in Martin, took on the American military in The Crazies and has collaborated with horror legend Stephen King on both Creepshow and The Dark Half. This essential guide examines Romero's work up to and including Diary of the Dead, and explains why filmmakers Quentin Tarantino and Martin Scorsese often refer to him as horror's greatest living director. Softcover, 160 pp. $9.95.
The Cinema of George A. Romero: Knight of the Living Dead
Tony Williams
The Cinema of George A. Romero is first the in-depth study,
in English, of the career of this foremost auteur working at the margins
of the Hollywood mainstream. Placing Romero's oeuvre in the context
of literary naturalism, the book explores the relevance of the director's
films within American cultural traditions and thus reclaims his work
from the typical 'splatter movie' characterization. Softcover, 214
pp. $29.99.
Miracles & Sacrilege: Roberto Rossellini, the Church, and Film Censorship in Hollywood
William Bruce Johnson
Miracles and Sacrilege is a major contribution to legal and film studies. Drawing upon his extensive familiarity with legal theory, history, and practice, William Bruce Johnson examines the famed controversy over Roberto Rossellini's The Miracle in light of the history of censorship, changing definitions of free speech, Hollywood censorship codes, and the clash between Irish Catholic and liberal interest groups. Johnson's dramatic and eloquent book will interest students of history, film, law, religion, ethnicity, and twentieth-century American culture as a whole. Softcover, 516 pp. $35.00.
In the Name of the Father, the Daughter and the Holy
Spirit
Remembering Roberto Rossellini
Isabella Rossellini
Roberto Rossellini would have been 100 years old in Spring 2006. The great Italian
director who made film history with Rome, Open City also came to fame as the
man caught between the two most beautiful and exciting women of his day, Anna
Magnani and Ingrid Bergman. His daughter Isabella now gives him this birthday
present: a unique book of images and memories of her beloved father. Included
is a DVD of "My Dad is 100 Years Old" a film written by Isabella Rossellini
and directed by Guy Maddin. Hardcover, 143 pp. $45.00.
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