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The Silent
Cinema Reader
Lee Grieveson & Peter Kramer
The Silent Cinema Reader offers a wide-ranging and accessible guide to the
development of cinema from its emergence in the 1890s to the introduction of
sound in the late 1920s. Topics discussed include: the pioneering work of Thomas
Edison, the emergence of film editing, the rise of nickelodeons, and the importance
of films stars and major directors. Softcover, 423 pp. $49.95.
Rethinking
Third Cinema
Anthony R. Guneratne and Wimal Dissanayake
This innovative and timely anthology addresses established
notions about Third Cinema theory and its impact on the cinematic
practices of developing and postcolonial nations. The filmmakers
discussed herein include: Ousmane Sembene, Satyajit Ray, Fernando
Solanas, Tomas Gutierrez Alea, and Nelson Pereira dos Santos. Softcover,
240 pp. $39.95.
Writing History in Film
William Guynn
Writing History in Film sets out the narratological, semiological,
rhetorical, and philosophical bases for understanding how film can function as
a form of historical interpretation and representation. With case studies and
an interdisciplinary approach, William Guynn examines the key issues facing film
students and scholars, historians and anyone interested in how we see our historical
past. Softcover, 225 pp. $27.95.
Holocaust
and the Moving Image
Representations in Film and Television since 1933
Toby Haggith & Joanna Newman
Based on a major symposium held at the Imperial War Museum in 2001, this book
is a unique blend of voices and perspectives -- archivists, curators, filmmakers,
scholars, and Holocaust survivors. Each section of the book is dedicated to a
different category of moving image: film as witness; propaganda; documentary
in film and television; feature films; the legacy of the Holocaust and other
genocides. These considerations are set within the wider context of the history
of the Holocaust and how they may have contributed to awareness and understanding
of the cataclysm since the war. Accessible, engaging and stimulating, this book
is an excellent introduction to the subject. Softcover, 317 pp. $32.95.
Pictures At a Revolution: Five Movies and the Birth of the New Hollywood
Mark Harris
Pictures at a Revolution tracks five movies -- the milestones Bonnie and Clyde and The Graduate, the popular hits Guess Who's Coming to Dinner and In the Heat of the Night, and the big-budget disaster Doctor Dolittle -- on their five-year journey to Oscar night in the spring of 1968. It follows their fortunes through the last days of the studio system and the first sparks of a cultural upheaval that would launch maverick new stars and directors, topple more than one industry titan from his pedestal, and redefine what American movies could be. Softcover, 490 pp. $18.50.
Adaptations:
From Short Story to Big Screen
Stephanie Harrison
Memento, All About Eve, Rear Window, Rashomon,
and 2001: A Space Odyssey are all well-known and much-loved
movies, but what is perhaps a lesser-known fact is that all of them began their
lives as short stories. This anthology brings together 35 pieces that have been
the basis for films, many from giants of American literature and many that have
not been in print for decades. Softcover, 616 pp. $22.95.
Cinema
Studies: The Key Concepts
Third Edition
Susan Hayward
Providing accessible and authoritative coverage of a comprehensive range of genres,
movements, theories and production terms, Cinema Studies: The Key Concepts is
a must-have guide to a fascinating area of study and arguably the greatest art
form of modern times. Now fully revised and updated for its third edition. Softcover,
586 pp. $30.95.
The View From Here: Conversations with Gay and Lesbian Filmmakers
Edited by Matthew Hays
The history of gay and lesbian cinema is a storied one, and one that has become much larger in the post-Brokeback Mountain era. But the history of gay and lesbian filmmakers is a story all its own. In The View From Here, some of the world's leading queer film directors and screenwriters speak passionately and eloquently about the medium, and the challenges they face overcoming the demands of the Hollywood studio system and "the market" to create films that are entertaining, engaging, and truthful. Softcover, 383 pp. $26.95.
Charlie Kaufman and Hollywood's Merry Band of Pranksters, Fabulists and Dreamers
Derek Hill
Young filmmakers like Spike Jonze, Wes Anderson, Michel Gondry, David O. Russell, Richard Linklater, and Sofia Coppola have managed to wage an aesthetic campaign against imaginative cowardice of all persuasions. This book analyses and traces the origins and pivotal films and directors in this undeclared war on the mundane. Softcover, 190 pp. $19.95.
Afterimage: Film, Trauma, and the Holocaust
Joshua Hirsch
While much has been written about the question of film and the Holocaust, Joshua
Hirsch's thoughtful and lucid analysis breaks new ground. Afterimage focuses
on a selection of exemplary documentary and fictional films that have contributed
to a post-traumatic historical consciousness in the aftermath of the Holocaust.
This timely book will be of much value to anyone interested in the relationship
between movies and history. Softcover, 213 pp. $32.95.
Purity
and Provocation: Dogma 95
Mette Hjort & Scott MacKenzie
The audacious, attention-grabbing, tongue-in-cheek filmmaker's manifesto that
was Dogma 95 has had a massive international impact. Coinciding with the arrival
of affordable digital hardware, the aesthetic creed proposed by Thomas Vinterberg
and Lars von Trier has resonated with young and indie filmmakers in all continents
and been credited with a revival of radical back-to-basics guerilla-style filmmaking.
This new book brings together leading scholars from a number of disciplines,
with an aim towards providing an in-depth and properly international discussion
of the implications of von Trier's and Vinterberg's initiative on contemporary
cinema and arts.Softcover, 237 pp. $34.95.
The Magic Hour: Film at Fin de Siecle
J. Hoberman
This fascinating book of critical commentaries on the movies, comes
courtesy of one of the most astute voices in contemporary film criticism,
J. Hoberman. With typical
wit and intellect, Hoberman writes with astonishing range about everything
from the low brow comic stylings of There's Something About Mary, to
the austere artistry of In the Mood for Love. Softcover, 272 pp. $32.95.
The Dream Life: Movies, Media, and theMythology
of the Sixties
J. Hoberman
With the 1960s being the most tumultuous decade in U.S. history, films
of this era were necessarily reflecting the socio-political climate.
As a result, movies
became political events, and political events became a kind of ongoing
movie spectacular. In The Dream Life, J. Hoberman uses wildly entertaining
reinterpretations of key Hollywood movies to reconstruct the hidden
political history
of '60s cinema. Softcover, $25.95.
Contemporary
American Independent Film
Chris Holmund & Justin Wyatt
Examining the uneasy relationship between independent filmmakers
and the major studios, this anthology traces the changing ideas and definitions
of independent
cinema, and the diversity of independent film practices. Softcover, 299 pp. $37.95.
Screening
the Gothic
Lisa Hopkins
Screening the Gothic offers a radical new way of understanding
the relationship between film and the Gothic as it surveys a wide range of films,
many of which have received scant critical attention. Lisa Hopkins takes the
original approach of identifying the Gothic not by stylistic tropes, but rather
by its central characteristics. Thus, she surprises readers by revealing Gothic
elements in films such as Sense and Sensibility and Mansfield
Park, as well as exploring more obviously Gothic films like The
Mummy and The Fellowship of the Ring. Softcover, 170
pp. $26.95.
Dogville
vs. Hollywood
Jake Horsley
Interpreting Lars von Trier's Dogville as a comment on the Hollywood
film industry and the moviegoing process, Jake Horsley examines the age-old conflict
between 'artistic' and 'commercial' filmmaking. He proposes that the term 'independent',
when applied to filmmaking, refers to sensibility and vision rather than backing
or funds. Included are detailed analyses of work from early independent visionaries
such as Francis Ford Coppola, Stanley Kubrick, and Roman Polanski, through 80s
indie cinema and 90s slacker films to present day pioneers such as Keith Gordon,
Charlie Kaufman and Richard Linklater. Softcover, 379 pp. $25.95.
Once
Upon a Time in the Italian West
Howard Hughes
Authoritative and entertaining, Once Upon a Time in the Italian West offers
detailed critical and historical analyses of 20 key films. Taken together,
these essays identify the salient trends, tropes, and filmmakers of this
popular genre, and provide a useful guide to its signature films. Softcover,
266 pp. $26.95.
The History on Film Reader
Marnie Hughes-Warrington
Historical film studies is a burgeoning field, with a large and ever growing number of publications from across the globe. This reader distills the mass of work, offering readers an introduction to just under 30 of the most critical and representative writings on the relationship between film and history. Softcover, 326 pp. $53.95.
The Bad Mirror
Jack Hunter
These 18 chapters, culled from each of the 18 volumes in the
Creation Cinema library, represent the best in scholarship on the
subject of cult, exploitation, and underground cinema. Subjects
of focus run the gamut, from "meat movies" and beat cinema,
to freak films and hard-core pornography. Softcover, 282 pp. $20.99.
A
Theory of Adaptation
Linda Hutcheon
If you think that adaptation can be understood by using novels and films alone,
you're wrong. Today there are cover songs rising up the pop charts, video game
versions of fairy tales, and even roller coasters based on successful movie franchises.
Adaptation has always been a central mode of storytelling and deserves to be
studied in all its breadth and range as both a process of creation and reception,
and as a product unto itself. Persuasive and illuminating, A Theory of
Adaptation is a bold rethinking of how adaptation works across all media
and genres that may put an end to the age-old question of whether the book was
better than the movie, or the opera, or the theme park. Softcover, 232 pp. $28.95.
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